tips

What does “polish” mean to you in a recording? And is it even something you want more of, especially in a rock setting? Can you have a polished recording of an unpolished sound? In my mind, everyone should want a polished recording – this would represent their sound in the best, most appealing way possible. To me it’s about clear translation of the artistic vision, no matter how sloppy or gritty that vision is.

So there are certainly ways that you can spend lots of money to get better recordings (equipment, studio time, engineering & mastering help, etc.) and lots of sound engineer techie ways to improve your sound. Those tips are for another blog post! Let’s start with what you can do using what you have already.

1. Pre-Production – Start with disciplined practice, lots of practice. Practice with a metronome so you can be consistent in tempo. Record rough versions of the song so you can hear it back and start to think more about arrangements. Make your song better – really evaluate it and refine it. A great recording of a so-so song is a lost cause. Does it need an extra chorus? Can you cut an interlude or long intro? Cutting is usually better than adding, and this is your time to be brutal. For example, I’ll often cut a verse during pre-production if I have any sense that it’s getting too long. Make your decisions now, before you start recording in earnest, because the farther down the road you are, the harder it is to make significant shifts. You’ll still have plenty of opportunity to be creative – in fact, you’ll be more free to be creative since the basic decisions are confidently locked in.